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Jonathan Crocker, MSN Movies

The Imaginarium Of Doctor Parnassus: MSN Review

Life, death and rebirth... Proving cinema is bigger than death, Heath Ledger is back some two years after his tragic overdose. How is he doing? Not well. He’s hanging lifelessly with a noose round his neck. That morbidly compulsive first shot of the late Aussie star sparks an electric shiver thatTerry Gilliam’s oddball fantasy never matches again.
The Imaginarium Of Doctor Parnassus (image © Rex)
Credited as “A Film From Heath Ledger And Friends”,Doctor Parnassus is much more than just a vehicle for Ledger’s last ever screen appearance: it’s an ambitious, ramshackle hymn to imagination, the magic of cinema and Gilliam’s own tenaciousness. None of which make it a great film – maybe not even a good one – but it may be the filmmaker’s most personal movie and certainly one of his most inventive.
 
Thanks to a magical walk-through mirror strapped to his rickety horse-drawn show (hello, metaphors), 1,000-year-old magician Dr Parnassus (Christopher Plummer) has the power to send reluctant punters into a world of their imaginations. But if he can’t persuade five souls to lose themselves in the mirror-world before his daughter’s (model Lily Cole) 16th birthday, devilish Mr Nick (Tom Waits, cutting the ham thick) will take hers. Cue Ledger’s amnesiac stranger – revived from his hanging under a London bridge – to give Parnassus’/Gilliam’s show the charismatic frontman it craves.
 
Now don’t expect Joker-style fireworks from Ledger’s final performance. He’s full of effortless playful presence, but Brazil screenwriter Charles McKeown’s script gives him nothing meaty to chew on. Ironically, Gilliam’s movie takes flight when we leave Ledger behind to plunge through the looking-glass, into Gilliam’s fantasy dreamscapes and his most brilliant coup. 
 
 
On the other side of the mirror, Ledger’s character morphs, with the director cleverly recasting Johnny Depp, Jude Law and – best of all – Colin Farrell as goateed doppelgangers after his star died midway through the shoot. It’s Farrell who finds the most wicked sense lunacy in his role, as crazy and colourful as Gilliam’s wondrously inventive dreamscapes.
 
Stretching his budget to the max, the filmmakers conjures everything from giant stilts that reach into the clouds to a Willy Wonka-style candyland to a band of violent, cross-dressing policemen. These are visions and themes that have buzzed through his entire career, but despite its jostle of smart ideas, Python-esque loonacy and wry cine-satire, Doctor Parnassus never manages to weave them all together coherently or urgently.
 
Lacking drive, direction or emotional force, the movie duly trundles along like Parnassus’ own carnival-wagon. For better or worse, it’s impossible to dodge the autobiog at work here for everyone - although the spectre of Ledger’s death never gives or takes as much as you think it will. Still, during one sequence on a river of immortality, tiny boats float past carrying images of Rudolph Valentino and James Dean. It’s a suitably odd, eerie requiem for the movie’s own departed star.
three stars.
For Terry Gilliam and Heath Ledger, the show must go on. Imaginative, chaotic, flawed fantasy that’s never as memorable as the talents it showcases.
 
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